Saturday, January 15, 2011

Young Once

I'm feeling a little nostalgic this evening, and instead of posting pictures of my past, I'll show you some old photos of people you may recognize. You'll get old, too.

Bob Dylan

Clint Eastwood

Paul Newman and Joanne Woodward

Marilyn Monroe

The Rolling Stones

 Sam Cooke and Muhammad Ali

 Chet Baker

Marlon Brando

Friday, January 14, 2011

BROOKLYN

I'm heading to Brooklyn in February! A little while ago I joined a Sketchbook project run by Arthouse Coop in Brooklyn. The basics are: you're sent a sketchbook, decide your theme from a list and "sketch" away, send the sketchbook back and have it tour across the US for a few months as a huge, international project. There are about 28, 000 artists that signed up this year! So now I'm heading to Brooklyn to check it out.


If you have suggestions for places to see and visit in New York, shoot them over. So far I have only a couple of guides to help me out. I'll be staying for a few nights so I'll have a lot of time to explore Brooklyn and maybe a bit of Manhattan.

Design*Sponge City Guide
BrooklynNow.com: Williamsburg Guide

Parts of my sketchbook:





















"Oh, it's the end already? Sorry to all the vegetarians and Vegans. I love you."




Sunday, January 9, 2011

Bed Rug, 1796

Colchester, New London County, Connecticut Linen/cotton and wool
93 1/4 x 89 in. (236.9 x 226.1 cm)

Inscribed (in wool pile at top center): 1796 / NL


Bed rugs (referred to as "ruggs" during the late eighteenth century) are completely home-manufactured products. The wool yarn pile is needleworked (not hooked, as was once assumed) in running stitch on a base of handloomed wool or linen. Most often, the base is a wool blanket, the surface of which is entirely obscured by embroidery. All the wool used for making bed rugs such as the Museum's two examples (13.207) was most likely shorn from local sheep. The fleeces were then washed, carded, spun, and dyed by the rug maker.
Although a few extant bed rugs are embroidered with stitches that lie flat to the surface of the base, the majority have a looped pile that may have been either clipped or left uncut. Both of the Museum's bed rugs have cut pile faces. The one illustrated here has some random loops left uncut: the unevenness of the surface seems to indicate that the loops were made without the aid of a reed to keep them at a uniform height and that the surface was clipped with a small scissors or blade.
The bold, overscaled patterning of the typical bed rug is unlike most other embroidered bed coverings of the eighteenth and early nineteenth centuries. The thickness of the sewing yarns as well as the need to create a design that would be effective when made into pile contributed to the use of large motifs and to the pleasing appearance of the end result. The central motif of a bouquet of flowers growing from an undersized urn can be traced to the influence of the Tree of Life image commonly found on Indian palampores. The Tree of Life design inspired many quilt and coverlet makers, yet it was never used with such vigor as on bed rugs.
This rug was acquired from the Jonathan Deming house in Colchester, New London County, Connecticut. The majority of bed rugs have been traced to Connecticut, but they were made throughout New England, and examples are known that range in date from the 1720s to the 1830s.

Saturday, January 8, 2011

Advanced Horn Turning Class with Master Horners Roland Cadle and Art DeCamp

January 14-15, 2011

Learn from the two masters Roland Cadle & Art DeCamp the techniques of turning bands and tips.  Using both pewter and horn this advanced class will teach you everything you need to know but were afraid to ask.

Fee: $250 includes materials and instructions.


Contact Village Restoration for more information or villagerestoration@yahoo.com.

Jan Zender Burl Bowl






Photographed at the 2010 CLA Show by Jan Riser.

Scott and Cathy Sibley Horn


Photos supplied by Robert Weil.

Friday, January 7, 2011

On Low Mass in the Extraordinary Form

On New Years Eve I attended a Low Mass in the EF. Although I have attended and served at a number of Masses in the Extradordinary Form of the Roma Rite (or using the Missal of Bl John XXIII as I prefer to call it) this was the first time that I had attended a Low Mass since I was in Rome in 2007!

Personally I think that the Low Mass is a bit of an abberation in our tradition as it has been the form that had been taken completely from its original context and many of the liturgical problems in our day stem from the fact that this was the normal Mass in parishes before Vatican II.

Firstly its origin was as a Missa Privata when more monks became priests and needed to say a daily Mass outside a Conventual Mass. By the time this had happened the concept of concelebration had obviously fallen completely out of favour. Its use expanded with the need to say increasing numbers of the Masses for the Dead or "stipend Masses". With the missionary activity after the 16th century its use became more the norm in areas of the world where the conditions and resources made these types of Masses the only feasible option. They also allowed the Mass to be "inculturated" into non-European areas through allowing locally produced hymns and songs to be played and sung and even parts of the Mass to be celebrated in the vernacular.

More locally, the style of Mass that was seen in Australia was imported by Irish priests. Ireland came from a persecuted background where Low Masses were the only feasible Mass option. Therefore in all areas in Australia apart from Cathedrals and some larger churches, the Low Mass accompanied by the "4 hymn sandwich" was the norm.

I have a copy of the St Stephens Cathedral Sunday Mass schedule (issued after evening Masses were permitted):

Sundays 6,7,8,9,10am and 11am (Solemn Mass) 6.30pm and 7.45pm.

You can see that logistically 7 of those Masses were Low Masses.

Brisbane through most of the 20th century was blessed with a multiplicty of churches on the basis of (before cars) nobody should have to walk more than 5 minutes to a church. Of course there was a multiplicity of priests to cater for all the Low Masses celebrated at these suburban churches. This would be completely unsustainable today.

A related problem that is being encountered with the revival of the Missal of Bl John XXIII is that these churches were built for Low Masses, and are very difficult to celebrate a Solemn Mass or even a Missa Cantata in, due to lack of room in the sanctuaries.

When the Missal of Paul VI was introduced in stages from 1965 to 1970 the Mass was converted into English and the 4 hymn sandwich stayed. The introduction of readers and extraordinary ministers of Holy Communion (which are more of an ordinary sight than an extraordinary sight for the last 30 years) did nothing to change this state of affairs.

The beauty of the Mass comes out when it is sung. Is a work that is supposed to be sung (Traditionally with a capital T) and so in some ways the Low Mass brings out the worst features of the EF and OF Masses.

For us with an interest in the Missal of Bl John XXIII, it is not a journey back to the 1950s and the vast majority dont want to go back there (I was never there in the first place). A proliferation of Low Masses would be a journey back to the 1950s and opens up the accusation that the Latin Mass revival is a nostalgia trip. It would also lead to a proliferation of bad liturgical practices both by celebrant and servers simply because when the normative Mass (ie the Solemn Mass) is celebrated, there is no experience and Low Mass abberations (such as kneeling until the Epistle) would propogate.

For a sensible way forward and for the traditional Mass revival to have the greatest amount of success, I believe that the Low Mass should fall into disuse. If a smaller kind of ceremonial is required, a Low Mass form of the Missal of Paul VI could be used. This would of course be celebrated at a High Altar ad orientem and no Extraordinary Ministers of Holy Communion.

I know this posting will upset some people. I am not advocating that this form of Mass be banned, its just that I think that this is a form of Mass that has really has no future except as a Missa Privata, for priests who do not concelebrate, and is totally unsuitable as a congregational Mass. The Solemn and Sung Masses have far more opportunities for the congregation to participate in the Mass according to the vision for "actual participation" as envisioned in Sacrosanctum Concilium, and therefore need to be encouraged a lot more.