Tally for '10

Yes, I know we're already a good three months into 2011, but I finally finished copying my movies watched/rewatched list from all my little scribbled post-it notes. For 2010, like 2009, I wanted to keep track of all my movie viewings. Here's my results:

141 movies watched

Of these, 38 were new or new-to-me
103 were rewatched

I only saw 4 movies in the theater:

• Avatar
• Toy Story 3
• Inception
• Tron Legacy

(and 3 of those were in 3D!)

Among the new-to-me watchings included these how-did-I-not-see-it-before classics:

• The Lady Vanishes
• His Girl Friday
• Ball of Fire
• Mr. Smith Goes to Washington
• Dinner at Eight
• Dead Reckoning
• Murder on the Orient Express
• The Prisoner of Zenda (1937 and 1952 versions, 1937 is superior!)
• In a Lonely Place

And there were 13 titles I (re)watched more than once:

• (500) Days of Summer
• Fantastic Mr. Fox
• Sense and Sensibility
• Dr. Horrible's Sing-along Blog
• Tron (in preparation for the sequel)
• Star Trek
• How to Succeed in Business Without Really Trying
• Seven Days in May
• Back to the Future
• The 39 Steps
• Julie and Julia
• Desk Set
• You've Got Mail

Overall, I'm right in line with 2009, where I watched (shockingly) 141 movies also! That was made up of 45 new/new-to me and 96 rewatchings, only 2 in the theater and 12 different multiple rewatched titles. (And strangely, the only one that made the rewatching list both years is You've Got Mail!)

One thing that did change in 2010 was having Instant Netflix available. I will say that it changed how I watched movies and perhaps influenced which movies I chose, but overall my consumption seemed about the same.

Now that I know my baseline, this year I'm simplifying by only keeping track of new and new-to-me showings. I'm at 10 so far!

Why I love Princess Leia

Growing up with two older brothers, there was always a bit of a tug-of-war between me wanting to be one of the boys and wanting to be girly. When we played with our LEGO people, for example, I was not at all happy to be told that to go into space, my girl would have to take off her hair piece and wear a helmet. (Mom had to mediate that one.) And, while there were many things we enjoyed with three main characters, it always seemed that I got stuck with the lousy one in our play-acting. Alvin and the Chipmunks? My brothers were easily Alvin and Simon, leaving me... Theodore? Tron was another case where Tron and Flynn suited the boys perfectly, and who was left for me? Ram. (I know what you're thinking: What about Yori? Well, did she have a lightcycle? Exactly.)

But when it came to Star Wars, we could all be happy. We had the figurines (that would have been worth something eventually if they hadn't ended up, with the exception of one Stortrooper and one Ewok, in the garbage) (which, by the way, my mom still gets unfairly blamed for). My brothers could be Luke and Han, or Han and Chewie, or C3PO and R2D2, or Darth Vader and Obi-Wan, or Boba Fett and Salacious Crumb for all I cared, just as long as I got to be Princess Leia.

So, let's talk for a minute about the coolness of Princess Leia. It hardly seems necessary to explain, but here are some of my reasons for loving her:

"Who is she? She's beautiful." Princess Leia really is a pretty pretty princess, in a non-fussy sort of way. Sure, she spends most of A New Hope in what amounts to a draped sheet with her hair rolled up into what looks like cinnamon rolls. But when she has a chance to clean up, she does it nicely. And she sure knows a lot of fancy hair-braiding tricks that I wish I knew.

She's got style. Closely tied into the beauty point, I appreciate that Leia has an outfit suitable for any occasion. She's got ceremony style and winter style and visiting-a-city-in-the-clouds style. She's even got bounty hunter style when the need arises. (The slave outfit is a bit over the top, but then, she didn't pick that one out herself. Jabba's taste definitely crossed the line into tacky.)

She's got attitude. She doesn't seem a bit afraid of Vader or Tarkin, at least not until they threaten her planet. Even when she's on death row and woken up in her cell by a Stormtrooper, her first words are a clever remark. And when her would-be rescuers can't save her, she makes her own (albeit stinky) escape route. 

She's got a softer side too. Just because she knows how to sass the Imperials doesn't mean she isn't a nice person. Sure, she may be a bit confused about what type of affection is appropriate between siblings, but she's even got a soft spot for scoundrels, and anyone the Ewoks like is OK in my book.

She speaks Ubese. But then again, so do I."Yatay, yatoh."

Charming to the last. I still want to be Princess Leia.

Here's just a few other fun Star Wars thoughts I'd like to share:

•  I'm an original Star Wars purist, which means that I still prefer watching my unaltered VHS tapes to the "enhanced" DVDs. Yeah, I don't like Greedo shooting first, I'm fine not seeing Jabba until Return of the Jedi, I hate the Boba Fett voiceovers in Empire and the vision of young Anakin with old Obi and Yoda at the end of ROTJ, and more than anything else I can't stand the updated music in ROTJ. The changes in Jabba's palace are bad enough, but the closing music at the celebration on Endor just makes me mad. If I hear the new song, I sing the Ewok version as loud as I can over it. "Yub-yub..."
• Like many fans, I was disappointed by the prequels. The best part of The Phantom Menace to me (well, after Ewan McGregor) was the kids outside the theater dressed up as Obi-Wan and Darth Maul, acting out a perfectly choreographed duel.
• My brother pointed out to me that most of Jabba-speak has the same amount of syllables and inflection as the subtitled dialogue. Now I can't watch it without imagining the English over Jabba's voice in just the same way.
• I really enjoy playing LEGO Star Wars. If you haven't played it, you should, it's great. Guess who my favorite character is? ;-)

Say kids, have you heard the one about the girl tuba player who was stranded on a desert island with a one-legged jockey?

Imagine yourself stranded on a desert island. With a working DVD player. And the foresight to pack 8 DVDs you could watch over and over again. (Stay with me.) What movies would you pick?

This is the question posed by the Fandango Groovers Movie Blog multi-blog event, Desert Island DVDs. I've decided to play along, albeit with my own spin on things. This event happens to give me a push to write about a similar discussion my father and I have had about picking movies for a desert island stay, but with the additional proviso of choosing the work of only one director.

In a way, I actually find this easier than picking out any 8 DVDs. The field there is too wide. Trying to narrow down my favorite movies to just 8 is pretty painful. Even thinking about what movies I'm happy to watch over and over again, it seems impossible to choose just 8. However, narrowing things down to director, well, now we're getting somewhere.

It would have to be a director whose work as a whole I enjoy and can watch over and over again. Who did I seriously consider?

Vincente Minelli or Stanley Donen - I figure if I were really stuck on an island for the rest of my life, I'd be a bit depressed. Some light movies and musicals might be just the thing to cheer me up.

John Huston - Made some of my all time favorites, yet I'm not sure I'd be happy with his catalog of films as a whole. (Similar story with Orson Welles, Preston Sturges, Howard Hawks and Frank Capra: moments of brilliance but not enough there to sustain me on an island.)

Charlie Chaplin - To be honest, it would be more of a film school island for me if I chose Chaplin's work. I confess I have not seen all of his movies, and being stranded would probably finally provide the push I need. (Although I'm sure I would miss hearing people talk.)

Steven Spielberg - If I had to choose from only modern directors, I might end up picking him, although it would mean I'd end up with movies I like but don't really love.

George Cukor - Would provide a good variety of films with wonderful performances by some great actresses.

Alfred Hitchcock - A definite master with plenty of great films to choose from. But I think his paranoia and suspense would not help my stranded-on-a-desert-island mental state.


In the end, there's really only one choice for me (and my dad). Billy Wilder.

His body of work provides a wonderful variety that I'm sure I would need on a desert island to prevent boredom. (Feel like comedy? Drama? Romance? Noir? Check, check, check, and check.) Mix together some talented actors, witty dialogue, a slightly cynical perspective on people tempered by compassion and a good dose of humor and you've got the Wilder formula for a great movie. If I had to narrow it down to 8 by him, these would be my picks:

 
That's The Apartment, Double Indemnity, The Lost Weekend, The Major and the Minor, Sabrina, Some Like it Hot, Stalag 17, and Sunset Boulevard. (If you prefer, you could swap in Ace in the Hole, The Fortune Cookie, or Witness for the Prosecution.)

But I'm not the only one getting hypothetically stranded. See what movies everyone else would take.

Who would be your Desert Island Director?

2009 Movie Consumption

As I mentioned previously, in 2009 I decided to keep track of every movie I watched during the year. Now that we're a few days into 2010, I've had time to process that list. Here's the results:

Number of movie viewings in 2009:
141 (45 new and new-to-me, 96 rewatchings.)

What's included in this number? See below (links are to my reviews).

Old movies I just discovered (or finally managed to sit down and watch all the way through):

• Anna Karenina (1935)
• The Asphalt Jungle
• Easy Living (1937)
  
• The Farmer Takes a Wife (1935)
  
• I'll Be Seeing You -- Watched while I was on a Ginger kick. Crazies on vacation find each other and fall in love, the moral being that if you settle for second best, it may just turn out to be first best. This movie includes what just may be the worst advice ever given by an aunt. The rather pedestrian script is elevated by the acting, especially Joseph Cotten's tender performance.
  
• Idiot's Delight -- I'd seen the clip of Clark Gable singing "Puttin' on the Ritz" before, but it was neat to finally watch it in context.
• Key Largo -- How did I never see this wonderful film before? I liked seeing a more subdued side of Bacall.
  
• Kitty Foyle
• The Lady From Shanghai
• The Man Who Knew Too Much (1934)
  
• Meet John Doe
• Modern Times
• Ninotchka
• Random Harvest -- I was surprised at first by how much the movie differed from the book, but really the plot twists in the book would just not work on film.
  
• The Secret Garden (1949)
  
• The Scarlet Pimpernel (1934) -- Loved Leslie Howard, not so keen on Merle Oberon. Favorite lines: "It rhymes!" "Oh, yes, it's a poem!"
  
• Son of Paleface -- The enjoyment here was not so much from watching the movie as from making fun of it.
  
• Stage Door
• The Women (1939)

(Guess I'm slowing working at rounding out my 1930's movie knowledge.)

A surprising number of documentaries:

• The Business of Being Born (recommended for anyone expecting or thinking of having a baby)
• Following Sean
• Man on Wire
• Maxed Out
• Seven Up (a few in the series)
• Word Wars -- Fascinating look at the world of competitive Scrabble, I watched this after I read the book Word Freak. The one moment that sums it all up is the interview of a young boy playing in a lower division of a tournament. When asked if he wants to make it to the top division someday, he explains how he doesn't want to become super obsessed to the point of not having a job (like the characters we've been following all along). Ouch.
• And from Ken Burns: Jazz, The National Parks, Lewis & Clark

Movies made in 2009 that I actually managed to see in 2009:

• He's Just Not That Into You
• Julie & Julia
• Star Trek
• Up -- I love how Mr. Fredricksen looks like Spencer Tracy, Guess Who's Coming to Dinner era. The brilliant visual storytelling that sets up the background of Carl and Ellie is the best part of the film, and leaves me teary-eyed every time.
  

(Of these, only Julie & Julia and Star Trek were actually seen in the theater.)

Some other new-ish movies I watched:

• Chicken Little
• The Curious Case of Benjamin Button
• Flash of Genius
• Last Chance Harvey
• Metropolis (2001 anime)
• Miss Pettigrew Lives For a Day
  
• Music and Lyrics
• Radio -- Touching based-on-a-true-story movie.
  
• Star Trek: The Wrath of Khan

The Worst Movies I saw in 2009:

• The Magnificent Ambersons (2002)
• Nick and Norah's Infinite Playlist -- I hated this film. Perhaps I'm just not the intended audience, but this movie has the distinction of being the only movie this year I couldn't even watch all the way through. I didn't think it was at all charming but instead found it gross and vulgar and turned it off. (I weep for the future.)

Movies I hadn't seen in a while that I was really happy to rewatch in 2009:

• The Absent-Minded Professor (1961)
  
• Benji -- I'm a sucker for cute dogs. And "I Feel Love" is such a great 70's theme.
• Breaking Away
• It's Always Fair Weather
  

Double Rewatched:
(I did a lot of rewatching of old favorites as always, but I revisited these movies more than once in the year.)

• Alice in Wonderland (1951)
  
• The Apartment
• Casablanca
• Double Indemnity
• Gone with the Wind
  
• Laura
• The Maltese Falcon
• North by Northwest
• The Third Man
• The Treasure of the Sierra Madre
  
• WALL-E
• You've Got Mail

That's it for my list. I'm glad I kept track of the movies I watched in '09, and now I'm already two movies into 2010! This year I'm sure I'll keep rewatching my favorites while supplementing with Netflix, and maybe I can catch a few more flicks while they're still in theaters. Hopefully it will be another good year for movies... and Moviewings!

I bet you watch that movie every year...

This year, I'm doing something I've never done before. I'm keeping track of every movie I watch.

I've always saved my ticket stubs when I've gone to the theater, but I've never actually written down every movie I've seen in a year. But at the end of 2008 when everyone was blogging about what movies they had seen over the course of the year, I found myself trying to remember, and guessing, and wondering about my movie log. This year, I'll know for sure.

And as I've been keeping track, I've confirmed what I thought last year anyway: while I like to watch new and new-to-me movies, most of my film time is spent revisiting my favorites. Yep. I'm a Rewatcher.

I've started wondering if others fit this pattern as well. Do you find yourself returning to familiar favorites often? Introducing them to friends, or thinking of some quote and then feeling compelled to watch the whole thing? Does some event or circumstance go along with a certain movie for you?

For me, some favorites that get a lot of play include the movie from which I've taken (and modified) my post title. In You've Got Mail, which I tend to watch when autumn comes around (Don't you love New York in the fall?) or anytime it's replayed on TV, Tom Hanks says "I bet you read that book every year" about Pride and Prejudice. (The BBC film version of which I happen to turn to whenever I am really sick, along with Laura.) I also seem to go on a Civil War kick maybe once a year, which leads to reviewing the whole Ken Burns' documentary, often followed by Gone With the Wind, which occasionally leads to the excellent The Making of a Legend. Add to all that the frequent plays of other favorites. And somehow I'm never bored with them.

I know there must be people out there like me, but I'm sure there are other movie watching types as well. Here's a few profiles I've sketched out:

The Rewatcher:
This type is content to watch the same movies over and over again. If the film was great the first time, why wouldn't it be great to watch again? Perhaps this person is comforted by the familiar, viewing favorite movies as old friends. Maybe he or she is delighted to discover new insights or nuances in the films that got worn out in the VCR. (And yes, this person still has a VCR. And doesn't want to re-buy everything on Blu-ray.) Maybe in an unsure world, the Rewatcher is pleased to know that some things always remain the same. This doesn't mean you will never get a Rewatcher to sit through a previously unseen film, but you'll probably have the most success if the new movie features actors he or she already loves. And if the Rewatcher likes the movie, it will quickly be added to the replay queue.

The Explorer:
Polar opposite of the Rewatcher, this type thrives on always finding something new to watch. They have no trouble at all picking up a random rental, borrowing from friends, or trusting that anything on TCM is worth adding to the DVR. This type is found waiting in line on opening night, wanting to be the first to see and review anything new. While this doesn't mean that the Explorer has no standards, he or she is probably pretty open-minded, finding something to like in almost any film. This type has a never-ending, out of control Netflix queue, and would usually prefer seeing something fresh, or something not watched in a while, instead of viewing the same favorites month after month.

The Picky Viewer:
Here's someone who doesn't mind waiting to see what the consensus is about a film before watching it. This person doesn't want to waste time on junk. He or she may take a chance on the recommendations of friends, if they haven't been burned by being disappointed in their taste before. Perhaps they rely on Netflix Movies You'll <3, or a critic they tend to agree with, or perhaps they only rely on their own judgment, being able to tell from the previews if a movie is worth their time. And if they don't like a movie? Look out. This type is critical. But that just may be the only pleasure the Picky Viewer can derive from watching a sub-standard film.

The Movie Date:
This is the most passive of movie watchers, content to go along with more opinionated friends and family when choosing movies. This doesn't mean that Movie Dates always like everything, or that they don't have their favorites, but in general they are the quiet ones more easily entertained, happy watching whatever as long as everyone else is happy.

What do you think, do you fit into one of these categories? Or are you a hybrid of the above, or perhaps in a category I didn't come up with yet?

Wrapping up my Month O' Musicals: poll results and final thoughts

The musical polls are closed and the results are in! (I didn't vote on these myself, but will share my picks below.)

What's your favorite Rodgers and Hammerstein musical?
The Sound of Music wins with 43% of the votes. South Pacific comes in second, with Oklahoma!, State Fair, and The King and I tied not far behind. No big surprises here about the winner; The Sound of Music came in 4th on AFI's 100 musicals list, the highest rated of any Rodgers and Hammerstein movie.

While this popular movie gets a lot of love, there also seems to be a small group of people that really hate it. While I don't know that I feel that strongly about it, I'm more on the disliking side of the argument. Confession: I've never even seen the whole thing. I've seen different parts of it when it's been on TV, but somehow have never been inspired to watch the movie from start to finish. (Sorry, Sound of Music lovers!)

My vote in this category: Oklahoma!

Favorite Astaire/Rogers film?
Swing Time comes out on top with 41% of the votes, followed by Top Hat, then Shall We Dance, then Roberta and Carefree (tied). While I haven't yet seen every one of the Astaire/Rogers pairings, (I know, for shame!) I happen to like Shall We Dance quite a bit. But since no one voted for The Barkleys of Broadway, I want to give that one a little love. It gets my uncounted vote.

Your favorite Gene Kelly musical?
The winner here is the movie that topped AFI's 100 musical list: Singin' in the Rain, with 53% of the votes. The distant second, with 15% picking it, is On the Town. Third place is crowded, with For Me and My Gal, Anchors Away, An American in Paris, and Brigadoon each getting the same amount of votes.

While I would agree that Singin' in the Rain is the best Gene Kelly musical, the vote for my favorite is An American in Paris. With 's wonderful Gershwin music, acerbic Oscar Levant, and captivating end ballet, it's not just my favorite Gene Kelly musical, but my favorite musical ever.

Favorite Disney animated musical?
This was the least agreed upon in the polls. The Little Mermaid just barely edged out the competition, followed by Aladdin, and then a three-way-tie with Mulan, Pocahontas, and Beauty and the Beast. There were also a couple votes for "other". What did I miss? Peter Pan? Lilo and Stitch?

I'm surprised that the older Disney films didn't get any votes. I really love the charm of the older style animation before everything was so slickly done with computers. Maybe I should have made an old-style animated Disney movie poll and a newer animated Disney movie poll. My older favorites include Pinocchio, Alice in Wonderland, Lady and the Tramp, and 101 Dalmatians.

As for the newer choices, I was a bit surprised that no one picked The Lion King, even though I find it pretty mean and depressing. (I did enjoy the Broadway version of the story better, mostly due to the cool costumes.) My personal pick for newer favorite would have to be Aladdin.

Final Thoughts:
When I first had the idea to focus on musicals for a month, I wondered if I could come up with enough to talk about. Then I began to make a list and realized there were more movie musicals I'd already seen and enjoyed than I could ever post about in one month, let alone the musicals I had yet to see. As it was, I highlighted 17 different musicals this month. I definitely leaned more toward my favorites, probably because those were the ones I have the strongest opinions about and that I most wanted to revisit. Not as well represented: newer musicals, Disney musicals, and new-to-me musicals. I could very easily do another whole Month O' Musicals, or perhaps I'll just continue to feature one musical each month.

Before the month ends, there is one more movie I'd like to put in a plug for: That's Entertainment! With various musical stars introducing some outstanding musical moments, it's much more enjoyable than any movie of clip after clip has any right to be. While it only looks at MGM musicals, true to the title it is very entertaining and might give you ideas for more musicals to check out.

Farewell, Month O' Musicals. It's been fun. Thanks for helping me get through a cold January. Now I'm ready to move on to something without any song and dance numbers. Like documentaries.

I'll be back soon with some big changes coming in February!

Month O' Musicals: The Wizard of Oz

Vital Stats:
Year: 1939
Director: Victor Fleming
Stars: Judy Garland, Ray Bolger, Frank Morgan, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton
Based on the novel by: L. Frank Baum

Summary:
Dorothy Gale and her little dog Toto are swept away in a cyclone and transported to the magical land of Oz. In her quest to return back home, Dorothy follows the yellow brick road in search of the wonderful wizard of Oz, making new friends (and a dangerous enemy) along the way.

Memorable Moments:
The beautiful song "Over the Rainbow" made it to the top of AFI's 100 Years 100 Songs list. Many other aspects of the movie (the ruby slippers, the yellow brick road, "Lions and tigers and bears, oh my", "I have a feeling we're not in Kansas anymore") have been referenced elsewhere, showing the fairytale's wide appeal and cultural impact.

What I love about it:
It's hard to be objective about a childhood favorite, and it's very possible that nostalgia plays a part in why this one is close to my heart. Anyway I'm not alone; the movie seems pretty universally beloved. But one unusual thing I like about the story is the four main characters' connection to the four main temperament types outlined by David Keirsey. In the book People Patterns, these characters are referenced (along with other book and movie examples) to show how different temperaments behave. Dorothy is the stable Guardian, cautious and yearning for home; the Scarecrow is the quick-thinking, brainy Rational who figures out how things work; the Tin Man is the dreamy Idealist with the kindest heart of all; the Lion is the excitable Artisan who values courageous action above all else. I think it's a lot of fun trying to guess where people (and movie characters) fit into the different personality/temperament types, and these four make a good starting place (and reference point) for the basics. What's your personality type?

Month O' Musicals: Oklahoma!

Vital Stats:
Year: 1955
Director: Fred Zinnemann
Stars: Shirley Jones, Gordon MacRae, Gloria Grahame, Rod Steiger, Eddie Albert, Gene Nelson, Charlotte Greenwood
Choreographer: Agnes de Mille
Songwriting: Rodgers & Hammerstein

Summary:
Set in Oklahoma territory, it's a simple tale of cowboys and the women they love.

Memorable Moments:
The sweet ballad "People Will Say We're in Love" and the dance to the fun "The Farmer and the Cowman" are both great, while the auction scene is an especially nice mix of comedy and drama.

What I love about it:
Another title with an exclamation point! "Chicks and ducks and geese better scurry..." The highly entertaining secondary love story between all-or-nothing Will Parker and the girl who can't say no, Ado Annie. Gordon MacRae's gorgeous singing. And Aunt Eller.

I can't decide if I want a relative like Aunt Eller or if I just want to be her. There is something so appealing about being an old woman able to say and do whatever you please, including pulling a gun on someone and making him sing.

Some of my favorite examples of Aunt Eller's wisdom:

"Why don't you grab her and kiss her when she acts that-a-way, Curly, she's just aching for you to, I bet."

"Let's not break the law, let's just bend it a little."

"You've got to get used to having all kinds of things happening to you. You've got to look at all the good on one side and all the bad on the other side and say well, all right then, to both of them."

and of course "I don't say I'm no better than anybody else, but I'll be danged if I ain't just as good!"

Month O' Musicals: West Side Story

Vital Stats:
Year: 1961
Directors: Robert Wise, Jerome Robbins
Stars: Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, George Chakiris
Choreographer: Jerome Robbins
Music: Leonard Bernstein
Lyrics: Stephen Sondheim

Summary:
Set in 1950s Manhattan, this updated take on Romeo and Juliet has the conflict occurring between rival gangs (the Jets & the Sharks) with Tony and Maria as the star-crossed lovers.

Memorable Moments:
There's some beautiful songs here ("Something's Coming", "Maria", "I Feel Pretty", "One Hand, One Heart", and "Somewhere") but the amazing energy of the music and dancing is perhaps best seen in moments like the opening interactions between the gangs, the dance at the gym, and during the songs "America", the "Tonight Quintet" and "Cool".


What I love about it:
From the opening shots over the city to the end credits mixed in with urban graffiti, I watch this movie completely transfixed. I don't think there's a bad song in the bunch, although I do have my favorites. I find Bernardo and Anita a bit more interesting than Tony and Maria, although Natalie Wood is very watchable as Maria. I also like spotting Bud Frump (Anthony 'Scooter' Teague from How to Succeed) as one of the Jets.

The second act is increasingly bleak, but what do you expect of a movie based on one of the world's most famous tragedies? It's an emotional ride, but an amazing one.

Month O' Musicals: That Thing You Do!

Vital Stats:
Year: 1996
Director: Tom Hanks
Stars: Tom Hanks, Tom Everett Scott, Johnathon Schaech, Liv Tyler, Steve Zahn, Charlize Theron, Ethan Embry, Giovanni Ribisi
Writer: Tom Hanks

(While not a film musical in the classical sense, there's so much music in it that I'm including it in my Month o' Musicals.)

Summary:
One-hit band The Wonders journey from obscurity to fame and back again with fun nods to the various musical styles of the 60s along the way.

Memorable Moments:
The catchy title song is played so repeatedly it's bound to get stuck in your head for a while after watching.

The first time the band members hear their song on the radio captures the excitement perfectly.

What I love about it:
Exclamation point in the title. Glimpses of Chris Isaak, Rita Wilson and Peter Scolari. But most of all, Steve Zahn. Who is Steve Zahn?


"Are you crazy? A man in a really nice camper wants to put our song on the radio! Give me a pen, I'm signing, you're signing, we're all signing!"

Month O' Musicals: Guys and Dolls

Vital Stats:
Year: 1955
Director: Joseph L. Mankiewicz
Stars: Marlon Brando, Jean Simmons, Frank Sinatra, Vivian Blaine, Stubby Kaye, Sheldon Leonard
Choreographer: Michael Kidd
Music & lyrics: Frank Loesser
Based on stories by: Damon Runyon

Summary:
Gambler Nathan Detroit is under a lot of pressure. Not only is his fiancee of 14 years getting tired of waiting for him, but he also can't find a place to hold his permanent floating crap game. In an attempt to get the money to pay for a gambling location, Nathan makes a $1000 bet with high-roller Sky Masterson. Surely Sky can't talk missionary Sgt. Sarah Brown into going to Havana with him. Or can he?

Memorable Moments:
The title song, the city sewer performance of "Luck Be a Lady", and the show-stopping "Sit Down, You're Rockin' the Boat".


What I love about it:
Two fun numbers by the ladies: "Adelaide's Lament", ("a person can develop a cold") and the rum-induced-exuberance of "If I Were a Bell". Actually, a big part of the fun of the latter song is watching Brando react to the rum-induced-exuberance. (And while we're on the subject, you have to give Brando credit for doing his own singing, in the same movie as the incomparable Frank Sinatra, too.)

How did you get into classic movies?

The poll is closed and the results are in. In answer to the above question, 8% of respondents got into classic movies thanks to school or a film class, 33% got started with recommendations from friends or family, and the majority (50%) found old movies on TV. That leaves another 8% that fell in love with classic movies some other way. (Yeah, that only adds up to 99%, but that's the numbers my poll gave me.)

This brings up other questions that can't be so easily gotten in a click-to-answer poll:

For those that found old movies on TV, what channel were you watching? TCM, AMC, or just a late-night showing of something classic?

For those who didn't find their answer on the poll, how did you discover classic movies? Video rental? Something else I haven't thought of?

For everyone: Was there one movie you can point to as being the first old movie you really got into? A movie that made you take notice and think, what other wonderful classics have I been missing?

As for me, I grew up watching old movies, so my answer would be family recommendations. But I've also benefited from video rentals and old movies on TV (especially TCM) for rounding out my classic movie knowledge. There are so many movies I have seen so many times since I was young that I can't remember my first reactions to them (Citizen Kane, Some Like it Hot, The Maltese Falcon) but there are a few that I remember discovering later, sometimes on my own, and loving the fact that I found them (The Hustler, Out of the Past, The Major and the Minor).

Whether you answered in the original poll or not, feel free to weigh in with your answers here.

My answer to the 20 Actresses Meme: I like Actors better

There's a 20 favorite actresses meme going around. It started at The Film Experience blog. I've had a terrible time trying to come up with a list of my own. Not because there are so many actresses out there, but because I've realized that there aren't a lot of actresses I think are really great. How can this be? I don't know. Maybe I am jealous watching someone else get the leading man of my dreams. Maybe I am jealous of really beautiful women. Maybe as a girl, I've just learned to be catty to other girls. Isn't that sad? Whatever the case, I have come up with a list of 20 actresses that don't (usually) annoy me:


That's Leslie, Lee, Marilyn, Cate, Grace; Katharine, pre-botox Meg, Ingrid, Tina, Judy; Meryl, Natalie, Ginger, Mary, Amy; Hayley, Gwyneth, Judy, Agnes & Lauren.

Cate Blanchett has the distinction of being the only one on this list whose movies I don't own. I just think she is a good actress (and she doesn't irritate me).

My favorites on here are Katharine Hepburn, Ingrid Bergman & Ginger Rogers.

As I was making this list, I decided it would be much more fun to make a list of favorite actors. I thought, surely someone is bound to answer back the top 20 actresses list with their top 20 actors, right? It might as well be me. And so I made this list, and it was such a breeze! Here come the men:

That's Clark, Henry, Gene, Joseph, George C., Spencer, Humphrey, Dana, William, Jack; Cary, Paul, Jimmy, Ray, Orson; Marlon, Kirk, Sidney, George & Alec.

You'll see this list was made with only classic movie actors. So as a bonus, here's another five new(er) actors I happen to like:

Jude, Harrison, Ewan, Leo & Tom.

If I tried to narrow this list down to top favorites, it would probably be Spencer Tracy, Jack Lemmon, Humphrey Bogart, Dana Andrews, Cary Grant, Ray Milland, Orson Welles, Jimmy Stewart, Paul Newman & Tom Hanks. See how much more generous I am to the males?

If you want to make your own list, feel free to choose actresses or actors or both. If you do actors, please link or comment here with your lists. I'd like to see some more testosterone about. Let the 20 Actors meme begin!

Ten Great Things About Old Movies

I had been thinking about doing a list of reasons why I love old movies. Then I found two cool lists of love for classic movies on Another Old Movie Blog and Self-Styled Siren. These lists don't bother to mention the obvious (good writing, acting, etc.) but instead focus on the little things that make watching the classics so enjoyable. I decided to follow suit with my own list of things I love to see in old movies.

1. Hats
From the classic top hat or fedora to the ridiculously tall, pointy, floppy, or drape-y numbers, I am fascinated by hats. Sometimes a poor hat is sat upon, and this always makes for some funny moments. I love that no matter what other craziness is going on, people remember to put on their hats. Why did we ever stop wearing them?

2. Real-looking people
Sure, old movies have their share of unusually pretty people. But I rejoice every time I see an actor (character or star) with some odd little quirks and imperfections. I'm not saying that nobody ever had work done in the old days, but at least the actors in classic movies don't seem totally propped up by silicone and botox.

3. Glorious black & white!
Ok, maybe this is a bigger point than some others, but in our world of sensory overload I appreciate the simple contrast of light and dark and the soothing shades of gray. Some things just look better in black and white.

4. Special effects (or the lack thereof)
Sometimes old movie special effects are so bad they're good, sometimes they are so slight that they still require plentiful use of the imagination, and sometimes they are nonexistent, allowing the focus instead to be on character building, witty dialogue, and actual plots and stories!

5. Train travel
Self-Styled Siren mentioned trains on her list and I have to concur and expand on that because there is just so much to love about trains in old movies. Shots of the wheels on the tracks and going through tunnels, hiding from the porter, sneaking into a sleeping car or someone else's berth, eating with a stranger in the dining car, those awkward moments of passing someone in the tiny hallways... ah, movie train travel!

6. Obsolete jobs
Seeing elevator operators, gas station attendants, soda jerks, milkmen and switchboard operators is always bittersweet; they remind me of simpler times past and the illusion of job security all at the same time.

7. The corner drugstore
The corner drugstore is the place to be for sharing a soda, making a phone call, or getting a full meal. Pot roast, pie, milk, and some snappy advice from the guy or gal behind the counter -- all this for less than a quarter.

8. Comeuppance
Some people probably don't like the censorship involved with the old movie Production Code, but I happen to like the subtlety and lack of explicit sex, violence and bad language that it enforced. I especially like when the bad guys get what's coming to them, although this doesn't always mean that the law has to be involved. There are lots of creative and artistic ways old movies use to show that crime doesn't pay. (I guess this just appeals to my sense of justice.)

9. Old cars and driving scenes
Cars don't have to be aerodynamic to be cool! I love the way old cars look and always enjoy driving scenes in classic movies. Conversations in cars are great, too, either when characters pull over to really talk or when they chat away while driving. Who needs to look at the road when the car is stationary anyway, with the scenery projected in the background and a machine providing the wind in your hair?

10. Use of the phrase "Take it easy."
Hearing someone get told to chill out in this way gets me every time.

Go ahead, tell me what I missed.

I've got a scene to share with you

Some years ago, a friend and I talked about having a Movie Moments party, the plan being to invite people to come with a movie clip to share. There were several variations on the idea: we could choose a theme or just ask for favorites, we could sit and discuss the clips or take a vote and pick a movie to watch based on the scenes. While we never quite got around to making this happen, I still think it's a good idea.

So I've decided to start sharing some interesting movie scenes here, beginning with the one I had in mind for the party that never happened.

From Out of Africa:

After her wedding, Karen Blixen (Meryl Streep) is on her way to change clothes for the two-hour journey to her new home. She passes a room, door ajar, and sees an ivory tusk that Denys Finch Hatten (Robert Redford) had earlier loaded onto her stopped train. Curious, she steps into the room and looks around.

When Berkeley Cole (Michael Kitchen) arrives with the second tusk, an embarrassed Karen tries to come up with some excuse for her presence, but ends up admitting that he caught her snooping. Berkeley assures her that this is quite all right, since it is Denys's room, and the thing about Denys is that he doesn't mind.

Karen comments on the lovely books and asks if Denys lends them. Berkeley says: "We had a friend... Hopworth, and he'd got a book from Denys and he didn't return it. Denys was furious. I said to Denys, 'You wouldn't lose a friend for the sake of a silly book, would you?' And he said 'No... but he has, hasn't he?' "

After some small talk, Berkeley goes into another story: "I had a friend who I used to take to the dances at Oxford. They were in June by the river. She always wore a new silk dress... I think you're wearing her perfume." Karen obligingly holds out her wrist to him and he concludes: "No. It's very nice. But it's not the same."

I love this scene, and not just because it tends to come to mind when a friend takes a long time returning something they've borrowed from me.

This is a wonderful character introduction, giving us a real feel for Berkeley's British-ness as well as hints of his past and his view of Denys. The actors are great here; even writing out the dialogue can't do justice to the nuances of spoken inflections and body language. The mood created fits the whole tone of the movie quite well.

I especially love how the scene progresses from an awkward first meeting to two people finding a comfort level with each other as an understanding and intimacy develops; what you are witnessing is the beginning of a lovely friendship.

What clip would you pick for a Movie Moments party? Post or link your own scene to share here.

The Alphabet Meme

The idea here is simple: Pick your favorite film for each letter of the alphabet. Thanks go to Blog Cabins for getting this started. Check there for more detailed rules, or read my summary below.

• Choose one film for each letter of the alphabet.
• Using a film that starts with "A" for A or "The" for T is not allowed.
• Films from a series must use the first letter of the actual title they were released under (ex: Return of the Jedi would go under R and not S for Star Wars: Return of the Jedi).
• Films that begin with a number belong filed under the first letter of that number spelled out (ex: 12 Angry Men would go under T).
• Link back to Blog Cabins in your post to give credit where it's due.
• If you're selected, tag 5 more people. (If you're not tagged, it's fine to make your own list anyway!)

I just did my top 50 movies, which should have given me a major head start here. But I thought it would be more fun (and challenging) to come up with movies I like that didn't quite make that list. So here they are:

Aladdin (my last list was sadly lacking in animated films)

Big Sleep, The

Corrina, Corrina (because Tina Majorino is super cute and reminds me of my niece)

Days of Wine and Roses, The

Ever After

Fugitive, The

Gigi

How to Succeed in Business Without Really Trying

It Happened One Night

Jurassic Park

King and I, The

Long Hot Summer, The

Marty

Natural, The (not my favorite baseball movie, that would be A League of Their Own)

Ocean's Eleven

Parent Trap, The (1961)

Queen, The (although I prefer The African Queen)

Regarding Henry

Stranger Than Fiction

Thirty-Nine (39) Steps, The

Umbrellas of Cherbourg, The

V irgin Queen, The (2005)

Wall-E

X-Men (what else is there?)

You Can't Take It With You

Ziegfeld Follies (well, at least the bit with Fred Astaire and Gene Kelly)

Whew, that was not easy! Because of the constraints, I can't say that I love all the movies on here. And I still feel like I'm missing some of my favorites. Oh, well, I still had fun with this.

Next, I tag Cesia and David Bishop. (Since you've both just made your top movie lists, it should be easy, unless you opt for new titles too.)

If you want to play along but get stumped along the way, try Yahoo! Movies to browse titles by letter.

Favorite Movie Decade

If you would have asked me yesterday which decade produced most of my favorite movies, I would probably have said the 1960s. But after seeing the decade graph based on David Bishop's top movie list, I decided to put my top 50 list to the test. This is what I came up with:

It turns out that the 1950s and 90s tied as my favorite movie decades! What happened to the 60s? Well, in making my chart, I discovered that a couple of movies I would have thought of as 60s movies were actually from 1959. Oh, so close. Can I make up my own decade? If I could, 1954-1964 would have the top number of my favorites. (Although, that would be 11 years instead of 10, wouldn't it? Hmm.)

By the way, I also tried my results as a bar graph, which was slightly easier to read, but I went with the line graph because it makes a big "M" for movies!

What's your favorite decade for movies? I know I need to watch more films from the 30s. Am I missing out on a lot of good stuff from the 70s?

My Top 50 Favorite Films

Probably every movie lover makes a favorite film list at one time or another. Fletch over at Blog Cabins just posted a list of his top 50 films, encouraging others to do the same. That was all it took to get me going. (Yeah, I'm also one of those people that feels the need to respond to every email survey I receive from friends. Sharing opinions is fun!)

Top 10 is one thing, top 50 might be even trickier. I've grouped my choices into a few different categories, leaving my favorites for last on each list. It should be noted that these are my personal favorites, which is pretty subjective and basically comes down to the movies I have watched and enjoyed repeatedly, films which get quoted the most in my little world. These are not all necessarily the same movies I would put on a list of the best films ever made. But what good is a movie best list if it's not films you actually enjoy watching, anyway? And so, without further ado, my favorites:

Alfred Hitchcock movies:

Rear Window
Dial M for Murder
North by Northwest
Notorious

Billy Wilder:
The Major and the Minor
Some Like it Hot
The Apartment

Orson Welles:
Citizen Kane
The Magnificent Ambersons
The Third Man

Musicals:
That Thing You Do!
Singin' in the Rain
Oklahoma!
A Hard Day's Night
The Wizard of Oz
Guys and Dolls
West Side Story
An American in Paris

Noir:
Out of the Past
Laura
The Maltese Falcon

Chick Flicks:
Sense and Sensibility
Out of Africa
You've Got Mail

Sci-fi:
Gattaca
Tron
Back to the Future
The Empire Strikes Back
Star Wars IV: A New Hope

Newer Favorites:
The Princess Bride
Catch Me If You Can
A River Runs Through It
Ferris Bueller's Day Off
Clueless
Sneakers
Much Ado About Nothing
Joe Versus the Volcano
Quiz Show
Moonstruck
The Hunt for Red October

Older Favorites:
Dr. Strangelove
Born Yesterday (the William Holden version, of course)
Father of the Bride (the Spencer Tracy version, of course)
Seven Days in May
12 Angry Men
Gone With the Wind

Casablanca
The Hustler

The Philadelphia Story

If I could only choose one out of all of my favorites as my top pick ever, it would probably be The Maltese Falcon.

By the way, I know there are only actually 49 here. I didn't count wrong, I was just afraid of missing some great movie and feeling bad about it later. So I'm leaving a spot open for floating favorites -- when I think of one that didn't make the list, it will become my current 50th.

Now it's your turn. What's on your list?