This is Orson Welles

Has anyone ever asked you to come up with a list of guests, living or dead, that you'd like to invite to your ideal dinner party? If you've ever included Orson Welles on your imaginary list, then this is the book for you.

Made up of a series of interviews between Peter Bogdanovich and Orson Welles, the book covers a variety of topics, from Orson's early and prolific radio career to his later projects like The Trial. While PB's questions occasionally grated on me (and Orson, too, apparently, as he sometimes declines to answer) there's still a lot of good information in the conversations. They talk very little about Orson's personal life but instead focus on his artistic achievements (and missteps) and some of the controversies surrounding them. Orson hates to be asked about symbolism, but is quick to defend himself where he feels he deserves credit.

One of the things I enjoyed most about the book was the Appendix: The Original Ambersons. It's a summary of the alterations made from Orson's original version of The Magnificent Ambersons. (I had watched the remake a while back hoping to get some insight into what was cut, but this Appendix is a much better way to see what Orson had originally intended.) I must say, I don't think all the cuts made were necessarily bad! While some of the scenes that didn't make it into the film would have added some depth and detail to the story, others (like one where a jealous Georgie imagines Lucy with other suitors) might be better left out. And while the original ending is a little bleaker and might have fit Orson's ideas better, I find the ending in the movie to be sufficiently bittersweet.

This book is a chance to be a fly on the wall listening to the one and only Orson Welles. For extra fun, you can even imagine his melodious voice speaking the words as you read them. It's as close as you're going to get to the late, great genius.

Creative and Over the Top!

Recently I had two awards kindly bestowed upon me. One was the Creative Blogger (aka Kreativ Blogger) Award, passed on to me by Sally of Flying Down to Hollywood. Thanks, Sally! I'm choosing to interpret the rules for this one creatively (since that is the name of the award after all) and to start off I made my own logo. (Have you seen the other one? Really.)


I'm also supposed to name 7 interesting things about me. But since I just wrote 5 things about me with the last award I got, I choose to add on only two more here:

6. I just brought home a pet parakeet and have named him Bogie. I'm hoping to teach him to talk eventually. Maybe I can get him to say "Here's looking at you, bird." or even "We'll always have parrots." (I can't help myself.)

7. I actually do think of myself as a creative person. I love to draw, sew, knit, etc. When I was younger, my mom and I sewed up a black and white houndstooth number that looked just like Lauren Bacall's suit in The Big Sleep. I wish I still had it (and that it fit me).

8. OK, I lied, I'm adding on one more thing: I have a separate blog for my crafty/creative side. You can find it here: Wendymoon Designs.

And now, in lieu of nominating more "Kreativ" bloggers, I invite anyone who's already received this award to steal my logo for it. (Just say I made it, if you please.)

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On to award number two. This one is the "Your blog is Over the Top!" award which was given to me by Caitlin, Princess Fire and Music herself. Thanks so much!


While I take this as a compliment, I don't know that I really have an over the top kind of blog. So, since I'm also creative, I decided to skip the questionnaire that comes along with this award and instead highlight what I consider to be real Over-the-Top-ness with a top five countdown of over the top movie performances/characters.

5. Burt Lancaster as General James Mattoon Scott in Seven Days in May

I tend to think that Burt Lancaster is always a bit of a ham. But his total commitment to the single-minded purpose of the sneaky general really works in this film. (Although he plays unlikable so well, it's a bit hard to see where the character's support would come from. Oh, well.)

4. Orson Welles as Will Varner in The Long Hot Summer

Will Varner's a growling, yelling, bombastic guy played to perfection by Welles, whose physical bulk adds to the larger-than-life feeling of this big daddy.

3. William Demarest as Constable Edmund Kockenlocker in The Miracle of Morgan's Creek

A case could be made for Betty Hutton (and/or Eddie Bracken) in this movie as well, but Demarest holds nothing back with his broad physical comedy here and that earns him a spot on my list.

2. George C. Scott as General Buck Turgidson in Doctor Strangelove

The word is that director Stanley Kubrick always asked George for one over the top take, and Scott wasn't happy when those were all the takes that got used. But it makes for an attention grabbing performance that stands up to (and even outshines) Peter Sellers.

1. The entire cast of It's a Mad, Mad, Mad, Mad World

Let's face it, this whole movie is over the top. The title might have been cut back from having a "Mad" for every star in it, but there's still a powerful group of actors here doing lots of crazy things. There's nothing subtle in how Jimmy Durante kicks the bucket, or Jonathan Winters destroying the service station, or any moment with Ethel Merman. Delightfully excessive and the top of my over the top list.

Anyone who wants to take this idea and run with it is welcome to the Over the Top! Award from me. And now, back to our regularly scheduled movie blogging.

Nothing Magnificent about it.

Although I'm a big classic movie fan, I'm not such a purist that I object to any attempt to redo an old film. I try to give remakes a fair shot. Sometimes I'll even find things I like better about the newer version of a movie, perhaps enjoying how things have been updated. But sometimes, as in the case of The Magnificent Ambersons, I just really hate remakes.

Perhaps my love for the 1942 The Magnificent Ambersons predisposed me to being biased against the 2002 made-for-TV movie. But it claimed to be based on the Orson Welles screenplay, and since his film was edited (some say butchered) without him, I hoped at least that the new movie could provide some insight into what got lost. Now, I'm not sure, but I seriously doubt that Orson Welles' grand vision included a weird birth scene filmed from an inside perspective. Nor do I think he intended to show a death scene including some inappropriate tango dancing, or an overly-dramatic car accident scene with a person flying through the air in slow motion.

The scenes in the remake that probably did get cut from the original version include a bit with George as a boy bullying his friends to make him president of their club. There's also more hints about the changing town and the family's changing fortunes, like in a scene where George objects to rental homes being built on the Amberson grounds (when Grandfather's just trying to make some much needed money). There's also some extended information about the trip George makes his mother take, and a scene where George looks through a book of the town's history and can't even find the Amberson name. It's also made clearer in the remake how the Morgans with their new money are becoming the next magnificent family in town.


What's strange is what got cut from the Welles script. For example, there's no beginning narration and setup for the times and family. Instead, the newer movie begins with the ball at the Amberson mansion and later backtracks, using flashbacks to show the history with Eugene and Isabel as well as Georgie as a wild kid. In the original, the town "prophetess" clearly, quickly, and amusingly explains how Isabel ended up with Wilbur instead of Eugene (a man any woman would like a thousand times better) and how this lack of feeling for her husband will lead to Isabel having the most spoiled children. In the remake, it is hinted that the unnaturally close bond with George and his mother comes from him being an only child, but it's not made satisfyingly clear why George is such a terror or why Isabel caves into him. The new version also shows some full mouth kisses between the two, which is just unnecessarily creepy.

Even the things that made it from the original screenplay, like a lot of the dialogue, are mangled in the remake. For example, there's a sweet scene in the original with Eugene getting teased for how things ended with Isabel, and he says there's one thing that makes him forgive how things turned out. At that moment his daughter happens to be walking by, and he says her name. In the remake, while the words remain the same, it's all delivered with everyone sitting around a piano, and everyone oohs and ahhs about how charming this sentiment is. But all the nice subtlety of the original is lost.


As far as the acting in the remake goes, for the most part it is adequate but not extraordinary. James Cromwell does a good job as Major Amberson. But Jonathan Rhys Meyers as George and Jennifer Tilly as Aunt Fanny are both pretty terrible. Yes, George is supposed to be a spoiled brat and not very likable, but Meyers plays him as a tantrum-throwing, foot stomping, growling man-child that it's pretty impossible to care about. (Tim Holt at least had a bit of innocence, humor, and idealism thrown in to temper the obnoxiousness of his character.) Tilly seems to be doing her best impression of Agnes Moorehead, but she lacks the talent to make crying and self-pity sympathetic, and when she's not being shrill and/or weepy she's pretty amazingly dull. The worst is when the two act together; the scenes are painfully long and even ridiculous, like when George is trying to calm his hysterical aunt and ends up crawling full on top of her while someone watches, crying, through the window. (What is up with the incestuous undertones in this movie?)

Also inferior in the newer movie: the music. And instead of the gorgeous deep focus photography? Extreme close-ups, and to-the-camera delivery of the contents of correspondence.


Needless to say, I don't recommend this remake. Unless of course you enjoy something so bad it's laughable at times. Or if you want to commiserate with me on how awful this was. In that case, go ahead and watch it. And hope it doesn't taint your viewing of the much superior original version of The Magnificent Ambersons.

Original: 5/5
5/5 wings
(Even edited, and especially in comparison to the remake, this is a great movie.)

Remake: 1/5
1/5 wings
(Although I seriously considered giving it 0 wings.)

If you want more on the original movie, here's some great links my father passed along to me:

Summary and analysis of The Magnificent Ambersons at filmsite.org
Information at Wellesnet.com, includes writing on the un-making of the movie
A site with lots of images, memorabilia, and information on Ambersons

How does an obsession begin?

This started as a Q&A on Classic Hollywood Nerd, and I couldn't resist joining in with my answers.

Who was the actor/actress that you were first interested in?
When I was maybe ten, I remember my best friend and I were filling out lists of our favorites, and for actor I put Clark Gable. (She had no idea who he was.) I'm not sure why I picked him at the time, although I always liked Gone With the Wind and I vaguely remember that It Happened One Night was one of the first movies my family recorded off TV with our new VCR.

How old were you when you really began watching old movies?
I don't remember a time when I didn't watch old movies. My love of them began in childhood, thanks to my classics-loving father, and never really stopped.

What was the first old movie that caught your interest?
As a kid I had all the dialogue (though a few lines were off) to The Wizard of Oz memorized. My parents had to ask me not to say every line along with the movie.

Who is currently your favorite actor?
I always like Bogart and Spencer. I like to look at Paul Newman, Dana Andrews, William Holden and Brando. I am strangely fascinated by George C. Scott and George Sanders. I think Ray Milland and Fred MacMurray are underrated. The more I see of Kirk Douglas and James Mason, the more impressed I am with them. And most recently I've been enjoying Edward G. Robinson.

Who is currently your favorite actress?
For a while now I've been identifying with Ginger Rogers.

What is your favorite old movie and why?
Only one? I really enjoy The Maltese Falcon for the unfolding mystery and Humphrey Bogart's great reactions to the assorted crazy characters. The Third Man is also high on my list. While it's artistic and moody it also has some great little moments of humor.

How many old movies do you own? How many old movies do you have recorded/on the dvr?
How should I know? What am I, an accountant? ;-)

Not as many as I'd like to own. I haven't counted, probably around 50, but I have a lot more recorded from television. And maybe 10-15 taking up space on the dvr. Putting my collection at what I would guess to be more than 100, but less than 200.

If you could go back in time and visit any actor/actress, who would it be?
I imagine that conversations with Orson Welles and/or Katharine Hepburn (if I could keep up with them) would be interesting. I think visits with Jimmy Stewart and/or Jack Lemmon would be pleasant.

Who is one actor/actress that you want to know more about?
It seems the more I learn about actors, the less I like them. Since learning about the real lives of actors is often disappointing to me, I usually prefer to know and appreciate them on-screen only. However, I did just watch an American Masters about Gene Kelly that was pretty interesting and not entirely depressing.

What film could you watch over and over again?
Among my go-to favorites for re-watching are The Big Sleep, Laura, and The Philadelphia Story.

What is your favorite Hitchcock film?
Probably North by Northwest.

Who is your favorite director?
Billy Wilder is genius.

Share your answers here or on your own blog. :-)

My answer to the 20 Actresses Meme: I like Actors better

There's a 20 favorite actresses meme going around. It started at The Film Experience blog. I've had a terrible time trying to come up with a list of my own. Not because there are so many actresses out there, but because I've realized that there aren't a lot of actresses I think are really great. How can this be? I don't know. Maybe I am jealous watching someone else get the leading man of my dreams. Maybe I am jealous of really beautiful women. Maybe as a girl, I've just learned to be catty to other girls. Isn't that sad? Whatever the case, I have come up with a list of 20 actresses that don't (usually) annoy me:


That's Leslie, Lee, Marilyn, Cate, Grace; Katharine, pre-botox Meg, Ingrid, Tina, Judy; Meryl, Natalie, Ginger, Mary, Amy; Hayley, Gwyneth, Judy, Agnes & Lauren.

Cate Blanchett has the distinction of being the only one on this list whose movies I don't own. I just think she is a good actress (and she doesn't irritate me).

My favorites on here are Katharine Hepburn, Ingrid Bergman & Ginger Rogers.

As I was making this list, I decided it would be much more fun to make a list of favorite actors. I thought, surely someone is bound to answer back the top 20 actresses list with their top 20 actors, right? It might as well be me. And so I made this list, and it was such a breeze! Here come the men:

That's Clark, Henry, Gene, Joseph, George C., Spencer, Humphrey, Dana, William, Jack; Cary, Paul, Jimmy, Ray, Orson; Marlon, Kirk, Sidney, George & Alec.

You'll see this list was made with only classic movie actors. So as a bonus, here's another five new(er) actors I happen to like:

Jude, Harrison, Ewan, Leo & Tom.

If I tried to narrow this list down to top favorites, it would probably be Spencer Tracy, Jack Lemmon, Humphrey Bogart, Dana Andrews, Cary Grant, Ray Milland, Orson Welles, Jimmy Stewart, Paul Newman & Tom Hanks. See how much more generous I am to the males?

If you want to make your own list, feel free to choose actresses or actors or both. If you do actors, please link or comment here with your lists. I'd like to see some more testosterone about. Let the 20 Actors meme begin!

Book vs. Movie: Jane Eyre

Jane Eyre was already next on my Lit Flicks Challenge list, but when I happened to be the October giveaway winner and The Bluestocking Society kindly sent me the book (thanks, Jessica!) I wanted to get to it right away.

Before reading or seeing Jane Eyre, I did have some idea of the general plot: Jane is a governess who comes to work in a creepy house for a brooding man with a big secret. (It's a good thing I knew the secret, too, since my copy of the book included an introduction by Joyce Carol Oates that revealed all the major plot details and many of the twisty bits. Seriously, there should have been a spoiler warning with it -- surely there are some people reading the book for the first time with no idea what it's about who would like to enjoy a few surprises.)

Since I did know how the story would go, I was afraid that reading through the book would be tedious, but I actually enjoyed it very much. The way it's written (as a first-person account of Jane telling the reader her story) felt very intimate and interesting. The only time it didn't work for me was when the big secret is revealed; during this time things seemed a bit rushed and Jane's reactions didn't come until later. All I can assume is that she was struck and in shock, but coming to know the characters I think more would have been said and thought during this critical time.

If you don't like Jane, you will probably not enjoy the novel, but I really liked Jane. I liked her strong will and character. I also liked Mr. Rochester, despite his dubious past and the way he deceived Jane. Maybe I like him because Jane does, or because they do seem like a well-matched pair of intellectual equals. You can analyze a lot more about the various themes of the novel, like what it says about religion, morality, duty, forgiveness, and marriage, but I was happy enough to read through the rest because I really liked Jane and Rochester, and I wanted to see their love story play out.

The movie version I chose to watch was the 1944 adaptation, mostly because it stars Orson Welles, and I really like him. He is great as Rochester; he can carry off the speeches and he has the right amount of darkness and intensity to him. I was also delighted to see Agnes Moorehead, a young Elizabeth Taylor, the little girl from A Tree Grows in Brooklyn (Peggy Ann Garner) and child actress Margaret O'Brien, adorable as Adele. I wasn't particularly impressed with Joan Fontaine as Jane, though. (She also starred in Rebecca, based on the Daphne du Maurier novel which seems at least partially inspired by Jane Eyre.) Fontaine's Jane is much too meek and is really overpowered by Welles' Rochester. This removes what I enjoyed most about the novel, the match of equal minds that defines the relationship. In the novel, Jane is independent and holds her own against Rochester; in the movie I couldn't imagine what he saw in her, really.

I know it's always hard to show inner thoughts and feelings of characters in a movie, but I really missed how the book explains what's going on in Jane's head. Another thing that annoyed me about the movie: at the beginning, a book is shown onscreen and a voice-over reads what is written on the page. But the passage is way different from the book's opening. At other times during the movie, this same technique is used again. The voice-over alone would have been fine, but the suggestion that what is read is from the novel was really irritating. While I do understand the need to change and condense things when making a book into a movie, if you aren't remaining faithful to the book, don't show me text in a book as though you are staying completely true to the story. (Rant over.)

So, when it comes right down to it, does the book or the movie prevail? While the 1944 movie is beautifully shot and appropriately dark and atmospheric, it is also perhaps more melodramatic than even the crazy twists of novel would allow. The acting is mostly good, and it is fine as a movie, but overall I preferred the story in novel form. However, there are a lot of other Jane Eyre adaptations, and perhaps some do more justice to book. (I am intrigued by the version with George C. Scott because to me he really fits the description of Rochester: not exactly handsome, yet intense and strangely magnetic. If anyone's seen this version, or another adaptation, let me know what you thought.)

Oh, and while we're on the subject of Jane Eyre, I'd like to recommend Jasper Fforde's The Eyre Affair. It's the first of his funny Thursday Next series, which features a literary detective in an alternate reality where characters from books are quite real and traveling into the world of a book is physically possible. This story deals with Jane Eyre's kidnapping and the changing of the famous novel's plot. I want to re-read this now that I've finally read Jane Eyre.

So, that's two down for Lit Flicks, three more to go. I think I might deviate from my original list and choose something different for my next pick... stay tuned!

My Top 50 Favorite Films

Probably every movie lover makes a favorite film list at one time or another. Fletch over at Blog Cabins just posted a list of his top 50 films, encouraging others to do the same. That was all it took to get me going. (Yeah, I'm also one of those people that feels the need to respond to every email survey I receive from friends. Sharing opinions is fun!)

Top 10 is one thing, top 50 might be even trickier. I've grouped my choices into a few different categories, leaving my favorites for last on each list. It should be noted that these are my personal favorites, which is pretty subjective and basically comes down to the movies I have watched and enjoyed repeatedly, films which get quoted the most in my little world. These are not all necessarily the same movies I would put on a list of the best films ever made. But what good is a movie best list if it's not films you actually enjoy watching, anyway? And so, without further ado, my favorites:

Alfred Hitchcock movies:

Rear Window
Dial M for Murder
North by Northwest
Notorious

Billy Wilder:
The Major and the Minor
Some Like it Hot
The Apartment

Orson Welles:
Citizen Kane
The Magnificent Ambersons
The Third Man

Musicals:
That Thing You Do!
Singin' in the Rain
Oklahoma!
A Hard Day's Night
The Wizard of Oz
Guys and Dolls
West Side Story
An American in Paris

Noir:
Out of the Past
Laura
The Maltese Falcon

Chick Flicks:
Sense and Sensibility
Out of Africa
You've Got Mail

Sci-fi:
Gattaca
Tron
Back to the Future
The Empire Strikes Back
Star Wars IV: A New Hope

Newer Favorites:
The Princess Bride
Catch Me If You Can
A River Runs Through It
Ferris Bueller's Day Off
Clueless
Sneakers
Much Ado About Nothing
Joe Versus the Volcano
Quiz Show
Moonstruck
The Hunt for Red October

Older Favorites:
Dr. Strangelove
Born Yesterday (the William Holden version, of course)
Father of the Bride (the Spencer Tracy version, of course)
Seven Days in May
12 Angry Men
Gone With the Wind

Casablanca
The Hustler

The Philadelphia Story

If I could only choose one out of all of my favorites as my top pick ever, it would probably be The Maltese Falcon.

By the way, I know there are only actually 49 here. I didn't count wrong, I was just afraid of missing some great movie and feeling bad about it later. So I'm leaving a spot open for floating favorites -- when I think of one that didn't make the list, it will become my current 50th.

Now it's your turn. What's on your list?