What the well-dressed (classic) movie lover is wearing

Have you seen the 15th Anniversary TCM shirts ? The stuff that dreams are made of, for sure.

But I think I may be even more taken with this new Threadless release, "That Old Movie Magic". The film projector is pretty fabulous all on its own, but wait, there's more, in glow-in-the-dark ink! Makes perfect sense... the lights dim, the film rolls, and magical things happen.


Check out that Casablanca nod. Sweet!

If you're so inspired, you might want to pick up a t-shirt or two. Or three or four, and send the extras my way. :-)

If I were a TCM guest (fan) programmer...

Jealous. That's how I feel every time I see a TCM guest programmer introducing his or her favorite movies. And while it's bad enough that TCM has guest programmers that aren't me, now they have fan programmers that aren't me either. How fun would that be, chatting about some lovely film with movie know-it-all (in a good way) Robert Osborne?

Stacia at She Blogged by Night has an interview with one of the chosen fan programmers explaining what the experience was like. She was asked to pick 10 films that meant something to her for TCM to narrow down.

What would my picks be?

The Maltese Falcon - A favorite. I especially love watching Sam's little laughs at Brigid's lies and his interactions with the fat man.

The Third Man - Another favorite. Besides the classic ferris wheel scene, there's also the great buildup to the reveal of Orson Welles' character. And you just have to sympathize with Holly Martins and his situation: "That sounds like a cheap novelette." "Well, I write cheap novelettes."

The Philadelphia Story - For the dialogue and characters.

The Muppet Movie - Because Kermit was too modest to mention it when he was a TCM guest programmer. This is also a movie I remember fondly from my childhood, when I used to watch it on our RCA SelectaVision VideoDisc Player (I can still hum the opening music it had before every movie, and I often remember from the movies we owned the scene when we had to flip to the other side of the disc). I also love seeing all the guest stars, particularly Mel Brooks, Steve Martin, and Edgar Bergen with Charlie McCarthy. How can you not love a movie about friendship and dreams? "Life's like a movie, write your own ending, keep believing, keep pretending..."

Father of the Bride - Spencer Tracy reminds me of my dad, who got me into classic movies in the first place. When I got married, he quoted some lines from this movie that made me cry.

The Hustler - Incredible performances. (And I could also talk semi-intelligently about the novel.)

The Long Hot Summer - More Newman, which is always nice, and a great look at all different kinds of relationships. Particularly interesting is the pressure on Clara to find a husband to satisfy both her heart and head.

Holiday - One of my Overlooked Oldies, which fits right in with the idea of TCM introducing people to classics they should know.

It's Always Fair Weather - I grew up on musicals, and this is a unique one that I think deserves some more attention.

The Major and the Minor - If I could only pick one film to talk about on TCM, it might very well be this one. It's the first movie I brought up in my Overlooked Oldies for a reason. Not only do I find the whole thing charming, but I also think it's significant as Billy Wilder's debut as a Hollywood director. Imagine if it hadn't gone well, what other movies we might be missing out on -- The Apartment, Some Like it Hot, Sunset Blvd. I find it incredible that he was able to write so well in what was not his first language. He manages to satirize and make fun of people while still getting you to sympathize and care for them. Pretty amazing.

What film(s) would you pick if you had the chance to go on TCM? An all-time favorite, even if it was well-known? A lesser-known movie with a lot of personal meaning? A really obscure gem to show off your film knowledge and try and one-up Mr. O? Share your thoughts, maybe TCM is listening for next time...

(And by the way, happy 15th anniversary, TCM.)

Cross-examining Classic Courtroom Dramas

Search for "classic courtroom dramas" and the movie topping most lists would probably be To Kill a Mockingbird. And rightly so, for that film may well be the quintessential example of the genre, with its dramatic courthouse scenes, quest for justice, great acting, and a surprise twist or two.

Also high on the list in this category is 12 Angry Men. Even though the drama takes place in the jury room instead of the courtroom, it's still drama in a judicial setting with an unfolding case, interesting evidence, and a thought-provoking look at the prejudices brought into a supposedly impartial system.

Whether it's our inherent longing to see justice done or the curiosity that keeps us hooked as the mysteries of a case are revealed, the interest in courtroom dramas continues today. (Just look at the long-standing success of the Law & Order franchise.) There have been several good movies in the genre done in more recent years, but I'd like to take a moment to make a case (sorry, I couldn't help myself) for revisiting classic movies in this category.

So, like Rod Serling standing in front of your jury box, I present for your consideration exhibits A, B, and C: three movies worthy of a look for lovers of courtroom drama everywhere.

Boomerang! (Ah, my old friend exclamation point in title appears again!)

When a beloved priest is killed in a small town, the growing public outrage and political concerns put a lot of pressure on the authorities to make an arrest. This leads to the police throwing the idea of motive out the window and instead chasing down every man wearing a dark coat and light hat (the hazy description of the murderer). Will circumstantial evidence and a forced confession be the downfall of an innocent man?

Based on a true story, this Elia Kazan movie is very interested in authenticity. We are told at the beginning that all the interior and exterior scenes were filmed in the original locales, and as many actual characters as possible were used. As I watched some of the townspeople act, I was ready to believe that they were the authentic originals, too. Which is not to say that all the acting in the movie is bad; on the contrary, the movie includes some great actors: Lee J. Cobb, a young Karl Malden, and the always lovable Dana Andrews, who is especially sweet and believable in the scenes with his onscreen wife.

There's another great bit with Dana, who plays the state's attorney. In the middle of a conversation with the frustrated chief of police, he picks up a little puzzle from the chief's desk, calmly solving it in seconds. It's only a brief moment, but it's reminiscent of Dana's character in Laura playing with a similar small puzzle. The message conveyed is much the same; here's a man patient and intelligent enough to untangle the mess and solve the case.

The movie's authenticity breaks down a bit in the courtroom scenes (I can't see a case progressing in court the way this one did) but any shortcuts taken are forgivable in view of the high drama created, particularly in one tense scene involving a loaded gun.

The Verdict: This movie is best for all those idealists who care about seeing justice done. And Dana Andrews fans.

Witness for the Prosecution

Charles Laughton plays a barrister whose ill health won't prevent him from taking on a case (or smoking, or drinking). His client, played by Tyrone Power, is a man accused of murder. Although his wife (Marlene Dietrich) gives him an alibi, in one of many twists in the film, she ends up testifying as the titular witness for the prosecution.

Laughton is great, sparring with his nurse and using his monocle as an interrogation tool. Dietrich is pretty intense, which is especially interesting in the flashback scene of how she met her husband while singing in a club in Germany. Somehow she manages to make the lyric "I may never go home anymore" sound like more of a threat than a come on, even if she is promising kisses and kisses galore.

With Billy Wilder directing these stars and Agatha Christie writing the play the movie was based on, it seems impossible to go wrong with this one. Although I've always preferred Ellery Queen to Agatha Christie, (I like having all the information and trying to guess the ending for myself instead of being surprised by shocking revelations and unforeseen events) the twists here really make the movie. I can't say much more about it without giving anything away, and the movie itself has asked me not to divulge the secret of the ending for the greater entertainment of my friends. I leave it to you to see for yourself.

The Verdict: Great for those who enjoy a liberal helping of mystery in their courtroom dramas, with nice bits of light comedy and twists a-plenty to spice things up.

Anatomy of a Murder

In this movie, there is no question of whether the accused is innocent or guilty. We know from the start that Lt. Manion killed the man he accuses of raping his wife. The questions at hand are if he was justified in his actions, and if he will go free or be convicted of his crime.

Jimmy Stewart is wonderful as always, although he's playing a slightly different role here as a lawyer with some questionable ethics. The beautiful Lee Remick is completely believable as the alluring wife of the lieutenant. George C. Scott enters late in the game and steals the limelight as one slick prosecutor. Eve Arden also has a small part as a secretary whose wit is similar to her well-known radio character, Miss Brooks.

Another nice touch in the movie is the jazzy score by Duke Ellington throughout. (One of my pet peeves is otherwise excellent movies with terrible music, like the ones that force the title into a theme song to open things. Can you imagine a song called "Anatomy of a Murder"? Yikes.)

There's also an interesting bit with some discussion over what to call a woman's undergarment. While probably shocking at the time, this whole case would now be pretty tame by Law & Order standards.

The Verdict: This fascinating look at the limits and loopholes of the justice system (with wonderful acting and music) is a real winner.

Addendum: I'm a little late in posting this as Boomerang! was just shown on TCM this morning. When I started writing this post, the movie was available on Hulu, but it seems to have been removed since. (It is available at Classicflix.)

Anatomy of a Murder and Witness for the Prosecution will both be showing on TCM this Wednesday, February 18th. Watch them back to back and examine the evidence for yourself before passing judgment on these classic courtroom dramas.

How did you get into classic movies?

The poll is closed and the results are in. In answer to the above question, 8% of respondents got into classic movies thanks to school or a film class, 33% got started with recommendations from friends or family, and the majority (50%) found old movies on TV. That leaves another 8% that fell in love with classic movies some other way. (Yeah, that only adds up to 99%, but that's the numbers my poll gave me.)

This brings up other questions that can't be so easily gotten in a click-to-answer poll:

For those that found old movies on TV, what channel were you watching? TCM, AMC, or just a late-night showing of something classic?

For those who didn't find their answer on the poll, how did you discover classic movies? Video rental? Something else I haven't thought of?

For everyone: Was there one movie you can point to as being the first old movie you really got into? A movie that made you take notice and think, what other wonderful classics have I been missing?

As for me, I grew up watching old movies, so my answer would be family recommendations. But I've also benefited from video rentals and old movies on TV (especially TCM) for rounding out my classic movie knowledge. There are so many movies I have seen so many times since I was young that I can't remember my first reactions to them (Citizen Kane, Some Like it Hot, The Maltese Falcon) but there are a few that I remember discovering later, sometimes on my own, and loving the fact that I found them (The Hustler, Out of the Past, The Major and the Minor).

Whether you answered in the original poll or not, feel free to weigh in with your answers here.

Leading Couples

Tomorrow night kicks off TCM's Leading Couples Film Festival -- two Tuesday nights of movies featuring some of Hollywood's most famous couples. This is timed to go along with the release of TCM's book, Leading Couples, which I first heard about through Raquelle's review of it on her blog, Out of the Past.

The book has many of the classic movie couples you'd expect (like Bogart/Bacall and Tracy/Hepburn) as well as some more obscure pairings and one really bizarre one. (Fay Wray and King King? Really?) Two types of couples are featured: those that made several films together and those that made a big impression together just one time on film. While I understand that they were trying to make things fair and not feature one person too many times, the rules of the book do mean that some great pairings (like Cary Grant and Katharine Hepburn) are missing.

It's a great book for flipping through and reading a little at a time. I've enjoyed learning some useless but fun trivia, like how during filming on Gone With the Wind, Clark Gable taught Vivian Leigh to play backgammon and she in turn introduced him to battleship. I'm also getting some ideas for more movies to add to my watch list. One thing that does make me a little sad about the book: in the facts about each person, spouses are listed, and so many of these stars had several (often brief) marriages. I just think it's a shame that the people who made up some of the most romantic pairs on screen often had troubles in their personal romantic lives. Although I guess their movie love stories didn't always end happily, either.

Anyway, it's a good book for a classic movie fan. For a limited time, you can enter to win your own copy here.

What's your favorite film couple, classic or otherwise?

Who doesn't love a good movie party?

What's better than watching movies? Watching them with your friends at a movie party, of course! I've done movie parties with family, as a fun girls' night in, for kids, and to introduce friends to classic movies. I also like to have my own private Oscar party, where it has become a tradition for me to use the time to make the very crave-able Emeril's Cheese and Potato Lasagna. But I must say, I have never had a movie party fancy enough to be called a cinema soiree. Yet.

Hopefully that will change soon! Turner Classic Movies is joining up with Triscuit & bon appetit to present a Cinema Soirees contest. Look here for the details and to enter. All you have to do is pick a classic movie to serve as the theme for your fabulous event, and share your ideas for incorporating Triscuits into your party. I am so entering!

What movie is my inspiration? I can't tell you. Yet. Maybe when I win, I will post some fantastic photos of my fancy soiree. Whatever happens, I am looking forward to seeing what themes are chosen and how they turn them into inspiration for Cinema Soirees. If you win, feel free to invite me.