More of what you want

It's fun browsing my blog statistics to see what crazy things people are searching for when they find me. Sometimes I'm not sure how I matched up, sometimes I've got amazingly exact matches to keyword searches. In an effort to give the people what they want, here's a few popular searches and some bonus material along the same lines.

One of my most popular hits is Tom Hardy. Tom as Ramount and/or in Marie Antoinette, Tom linked with Brando, and just plain Tom Hardy. Here's my original ramblings about the boy, and another picture as a bonus. (I know, right? Go watch The Virgin Queen.)

My Book vs. Movie posts also get a lot of love. In particular the searches seem to focus on Jane Eyre and The Grapes of Wrath. Students with book reports due, maybe? One thing that might be leading to disappointment is searching for The Grapes of Wrath ending, which I only hinted at in my post comparing the book and movie. But here it is as your bonus: *SPOILERS* After Rose of Sharon delivers a stillborn baby, she ends up breastfeeding a starving man. For real. *SPOILERS END* Can't imagine why that didn't make it into the movie.

I'm quite encouraged to see the number of people searching for witty women, including this very positive affirmation: witty WOMAN IS the best. I quite agree. Stage Door has an unusual number of witty women in it, but for other movies with witty women/dialogue I'd recommend the following: The Thin Man, The Philadelphia Story, The Big Sleep, and All About Eve.

Now's your chance to weigh in with what you haven't found searching here and what you've liked that's left you wanting more. I'll be happy to oblige.

What's better than a witty woman?

A bunch of witty women, of course! And it seems that the only requirement for being able to stay in the Footlights Club boarding house in the movie Stage Door is this: You must be a wise-cracking female. (OK, you must be an aspiring actress, as well.)

Katharine Hepburn as Terry Randall passes on both counts. She waltzes into this world of theater hopefuls with a few minor differences: she has money and she takes her craft seriously. She quickly butts heads with the girls, particularly her down-to-earth roommate Jean (Ginger Rogers). The women in the movie date, dish, and dream of landing the perfect part, with mixed results.

Less important to the movie than the overall plot is the sheer star power and the sharp writing. In addition to Hepburn and Rogers, the women at the Footlights Club include Eve Arden, Lucille Ball, and Ann Miller. (I'm almost ready to believe they really did all live like this, waiting to get their big breaks.) And here's just a sampling of some of the endless snappy dialogue:

"Evidently you're a very amusing person."

"Unfortunately I learned to speak English correctly."
"That won't do you any good here, we all talk Pig Latin." (Ginger isn't bluffing.)

"If it's not food, it's men. Can't you talk about anything else?"
"What else is there?"

"May I come in?"
"Oh, sure, I guess you'll be safe. The exterminators won't be here until tomorrow."
"How did they miss you on their last visit?"

One other very minor thing I loved about the movie: Ginger's character sleeps with a little doll! Sure, she's a hard-talking, ambitious, independent woman making it in the big city. But when it comes right down to it, she's still just a little girl with dreams.

Stage Door is one of those movies that lived for a long time on my Mostly-Seen list; that is, I had seen bits and pieces of it here and there and had a vague idea what it was all about. The sad thing about the movies populating this list of mine is that when I finally take the time to watch them from start to finish, I am almost always pleasantly surprised by the bits I'd been missing and wonder why I didn't watch the whole movie sooner. Stage Door was no exception, and I've happily moved it from my list of Mostly-Seen Movies to the Finally Watched! list.

4/5 wings